Sunday, February 08, 2009

Love Lockdown: The WYDU Edition


The almighty love song. It can be the most loved or the most hated themes in music, depending on if your hitched or just getting over the big breakup. A good love song can make a special moment even more special. It can bring back the emotions of an event or a special moment in time. It's also those exact reasons why the wrong love song will make a person hit the "fast forward", dial changer, or "skip" faster than Carmen Electra's last marriage. It's those emotions, desire and hope of love and the creativity of music that combine to make love songs an important part of life. The well placed song during a romantic night might just get you laid. The wrong love song at the wrong time may make you toss a tape or CD out the window of a moving car. Music is a powerful voice and the love song is a powerful tool. Throughout the years, nothing says "I love you", like the well placed romantic ballad.

That leads us to me and my personal experiences with musical sonnets and love ballads. Music is a major part of my life and always has been. It's added to the events and memories that have went down in my life and the "love song" is a major contributor. For those of you that read my blog, Wake Your Daughter Up, you know that I play a hip hop blogger on the internet, but truth be told, I listen to anything from country, to heavy metal, to classic rock. My tastes sway just as much as my tastes in hip hop itself do. The bad thing about hip hop, it's not a genre known for it's powerful love songs. For some reason, hearing "I fuckin' love ya bitch, now get on yo knees", just kind of kills any chance for that soundtrack of life, theme song type of thing. Besides, as the proprietor of this blog and myself have discussed in the past, what's going to give you the best chance for some late night nookie? Eazy E or Isaac Hayes? Yeah, that's what I thought. For those reasons, most of my favorite and most moving romantically themed songs come from other genres.

For me, a powerful romantic themed song has to evoke some kind of emotion and/or relate to something particular in my life. It can remind me of a person, a relationship, or a place in time. For those reasons, sometimes my favorite choices come from many different genres. I tend to be a *gasp* helpless romantic in my relationships and have used countless numbers of songs to express that emotion to those women in my life. I tend to stay away from the over the top, super corny love songs. Nothing will make me reach for the barf bag quicker than a whiney ass Journey, Air Supply, Chicago or Foreigner song. That being said, I do tend to find some rather sappy songs from time to time that I probably won't admit to, I mean did y'all really think I would admit to liking Dave Matthews Band's "Crash" as much as I do? All that being said, these particular five songs might not be my all-time top five favorite love jawns, I'm not so sure I could really come up with a list, since each songs represents a moment more than anything. Instead, these particular five songs represent moments in time, particular women, and/or just tend to get those "juices" flowing.


"Love Song"---The Cure (LimeLinx)
"Love Song"---The Cure (YSI)

As a kid, I stayed away from the "waver/skater" crowd in junior high and high school. You know the kids with the Flock of Seagulls haircuts (I was an 80's kid) and the weird style of clothes. The Cure always seemed to be their favorites, which lead me to avoid the group at all costs. It wouldn't be until my later years that I was able to really sit down and listen to The Cure with a clean mind and any preconceived notions by the wayside. I now realize why the group is the soundtrack for so many 80's kids such as myself.

The track, "Lovesong", is for all purposes a fairly simple song as far as the lyrics go. It basically consists of two simple verses and a four bar chorus. Yet, for all it's simplicity, it's still a powerful and moving song. Without giving up too much of my own personal life, this decade of my life has been dominated by one particular woman, which has has been a wild ride to say the least. To me, the whole act of being in love has so much more to do with interaction between two people than any physical appearances. Yes, a nice presentation always helps getting to know someone, but looks only go so far. A female can be smoking hot, but if she doesn't add something to my life, I'm going to get bored rather quickly. For me, that's what the message in "Lovesong" is sending out there.

Whenever I'm alone with you
You make me feel like I am home again
Whenever I'm alone with you
You make me feel like I am whole again
Whenever I'm alone with you
You make me feel like I am young again
Whenever I'm alone with you
You make me feel like I am fun again

Simple, yes, but for myself, there is so much more underneath the surface. The Cure have a tendency to have their songs sound whiny at the first listen, but in some cases its more of the disenchantment of the topics they write about. "Lovesong" is not just a "love song", but it's a song conveying the emotions of loneliness, despair and the fact that this particular person makes you better, makes your situation better and makes your life better. The entire combination of their delivery, tone, and the music behind the lyrics just make for a powerful "love song" in an almost untraditional approach. It's still a song that I play quite often when I'm both away and with the particular person that this song is "dedicated" to. Because love is truly an emotion that has a powerful effect over it's "victims" and "Lovesong" captures that feeling quite well.


"Hey Love"---The Delfonics (LimeLinx)
"Hey Love"---The Delfonics (YSI)

Soul music has got to be the official music of Cupid himself. I imagine when he goes around with his little bow and arrow and is rocking his iPod, he has some Barry White coming out the headphones. Therefore, while I was only introduced to "Hey! Love" by The Delfonics only a year ago, it's since become one of my favorite songs ever. To me, it's what a Soul love song should sound like. You can feel the "lust" ooze out the speakers as the vocals pour out like maple syrup; slow, thick and sticky. It's this type of sultry music that is perfect for that late night excursion with your lady friend.

How does "Hey! Love", play into my life experiences? Well besides the fact that I think it's a classic romantic jam without the personal aspect to it, "Hey! Love" does hold a special place in my memories. Again, without getting too deep into my personal life, sometimes....nah, scratch that, a lot of the time in my own personal life, things don't always go down like they should or hoped they could. "Hey! Love" will always remind me of the "one" that made me say "what if?" I would listen to this song nightly, sometimes five or six times before heading to bed. For all the aforementioned reasons, "Hey! Love" would leave me somber, yet it would also find me getting my "Isaac Hayes" on, singing along with the drawn out lyrics and choruses. The song would have me thinking of the "mystery lady" attached to this particular track, wondering "what if", before I fell alseep in a deep slumber. Music that can inspire that kind of reaction in me will always be among my favorites. Music that serves as a soundtrack for a woman that for reasons left unmentioned, didn't work out the way you would want or hope or in this case, just plain bad timing, will always be special to me. "Hey! Love" will remind me of how that four letter word can drive you crazy, wondering why love can be so cruel and yet so grand all at the same time. No matter, I think the woman that inspired this song will always know that I "blank" her.


"Wonderful Tonight"---Eric Clapton (LimeLinx)
"Wonderful Tonight"---Eric Clapton (YSI)

Ah yes, my "true" true roots shine through. While some kids grew up on music such as Parliament, Barry White, or Miles Davis, my adolescent music was supplied by The Beatles, Chuck Manigone and this guy, Eric Clapton. Starting with Cream, one of Clapton's original groups, my mom would play a lot of Clapton's music when I was a young child. At an early age, I was introduced to "Wonderful Tonight", a song that even as a young child, I enjoyed very much. The song is slow and deliberate with a melody that is both catchy and appealing, with it's methodical guitar melody that gives me an almost sleepy feeling. Lyrically, it was something that was easy to sing along with, even as a youngster. Clapton writes great music and everything that I like about Clapton can be found in "Wonderful Tonight".

Personally, while I've always liked the song, it wasn't until a night out with the love of my life that the song would give me the meaning it needed to be called one of my favorite love songs. Much like Clapton's original inspiration, I was waiting for her to get ready for a night out in Vegas. This wasn't a club hopping night out, this was a night dining at a fine establishment, eloquent and sophisticated, two words that aren't usually in my vocabulary. Seeing this gorgeous woman walk out of the bathroom of our hotel room after waiting for over an hour made the wait seem insignificant and myself feel like the luckiest guy in the world. The whole night, "Wonderful Tonight" played through my head, as we headed out onto the town. Later that night, when we came back to the room, and curled up in sweats while falling asleep staring into each others eyes, the last thing I remember was "Wonderful Tonight" playing on my little stereo I had with me. All together now......."Awwwwwwwwwwww". It sounds corny, and I suppose it was, but like I said, deep at heart, I'm a hopless romantic, and "Wonderful Tonight" just aids me in my chase to put the cheese on the cracker so to say.


"When I'm Sixty-Four"---The Beatles (LimeLinx)
"When I'm Sixty-Four"---The Beatles (YSI)

For some reason, nothing gets to me more than seeing an elderly couple holding hands. Save the senior citizen porn jokes, it's nothing like that, I just admire what an elderly couple repersents. These couples that have been married for 50 plus years is mind boggling to me. You think of all the things that couple has had to endure to make it to this current place in their life. A couple that still can hold hands and show affection for each other some forty plus years later is just a remarkable thing to me. That is exactly why the Beatles' "When I'm Sixty-Four" always represents all that goes into a relationship that has lasted a half-decade or more.

While I'm not a diehard Beatles fan, I do appreciate their place in musical history and their creativity that they brought to the table. Some of my favorite hip hop music comes from sampled Beatles songs. John Lennon and Paul McCartney could easily be credited as some of the best songwriters in this era of rock music. "When I'm Sixty-Four" was written by McCartney, (with co-credit going to Lennon) and brings the issue of growing old with your loved one. Especially in this day and age of divorces, two year marriages and adultery, making a relationship last is particularly difficult, which brings out the importance of this song's subject even more to me. In what quite possibly is a main reason why I haven't settled down and committed to a long run with that special someone (you'd think nine years would be a good sign, but alas, it hasn't happened yet), songs such as "When I'm Sixty-Four" bleed that longing for the one shot and one shot only at marriage which I hold pretty near and dear. Musically, the songs clarinet backing is somewhat of a retro sound that I always find most interesting. It gives a feeling of the big band era, a feeling of oldness that one hopes to achieve. While not the most traditional of long songs (nothing I tend to like usually falls in the "traditional" category) the message it displays is one that I think is most important, longevity.


"Blowjob Betty"---Too Short (LimeLinx)
"Blowjob Betty"---Too Short (YSI)

I couldn't go without some kind of hip hop song being mentioned. While hip hop does contain some good love songs that I do tend to like, such as "The Light" by Pharoahe Monch, "Kiss You Back" by Digital Underground, and Quest's "Bonita Applebum" or "Electric Relaxation", hip hop's male macho undertones usually leave much to be desired in bringing the quiet storm. I've never been fan of the late 80's fad of hip hop love ballads by the likes of LL, Big Daddy Kane and just about any other MC to drop an album on a major label in those times. They mostly all outright sucked. So what's one to do when looking for that special hip hop tinged love ballad? Well, you suck it up and listen to those crappy love ballads, or you just come out and say it like it is and hope you have a woman that gets your perverted and twisted sense of humor. Luckily I do.

A week or two before Scholar sent out this little request, a co-worker of mine and I were talking about songs you dedicate to that "special someone". Myself, I listen to the radio every now and then with my CD player in my car being out of commission, so some of the latest top 40 hits can sneak into my favored songs concerning the finer aspects of that wonderful emotion called "love". At least that's how I explained it to him. He said that he would always play Too Short's "Blowjob Betty" to a chick to get her in the mood. While I have my crass and perverted moments, dedicating "Blowjob Betty" to a girl that you are trying to impress seems almost as idiotic as putting on "Me So Horny" to put her in the mood. He would go on to say that some women appreciate that type of thing, although maybe they won't come right out and say it. He told me that they'd be like, "That's so dirty", but secretly were turned on by the prospect. Again, I had a hard time believing this. To settle this debate, I thought what better way than get the opinion of a female. And not just any female, the female that I've been with off and on for the past nine years. We have a great relationship and not much I can say or do offends her anymore, so I had no problem texting her (I was at work) asking her take on it. She's not some slutty chick that dresses like a cheap hooker. She's refined, college educated, and comes from a fairly conservative background, so I figured I'd win this argument easily by asking her. I don't remember how I phrased the whole question, but it basically came down to which song would you rather have a guy dedicate to you, "Blowjob Betty", or something like latest Lifehouse song. Much to my surprise, she replied back "Blowjob Betty". Just when you think you know someone..... She explained it to me in sort of the same way. While it was degrading, it also had this "in the sheets" nastiness to it. For the same reasons that a reserved woman would get freaky inside the bedroom and strip for her man, she would also find it a turn on that "Blowjob Betty" was being played in her honor. Who said Too Short wasn't romantic?

Check for Travis @ Wake Your Daughter Up

Read Travis' interview with Scholar here

Word From Your Moms:

"See, the problem is that God gives men a brain and a penis, and only enough blood to run one at a time."---Robin Williams

Saturday, February 07, 2009

Love Lockdown: The Feel It Edition


Here are a few tracks from a mix tape I made up many years ago that got lots of plays. They acted as a soundtrack (you know what I mean) for me and a certain girl all those years ago. That girl has now been my wife for more than 22 years.

We eventually lost the original mixtape. We had been staying in a hotel and had left it in the car. Went to the car one morning to find it unlocked (I was sure I had locked it the night before). There was no sign of forced entry or damage, but the mixtape had gone (others were still in the car I seem to remember)! Strange but true! I just hope whoever took it appreciated the fine music it contained.

Of course I still have the vinyl, so the tracks are...

Jean Carn - My Love Don't Come Easy
Roy Ayers - Everytime I See You
The Heath Brothers - For The Public
John Handy - Young Enough To Dream

Download Darcy's Valentine's Day Mix (LimeLinx)

Darcy's previous post @ Souled On

Visit Darcy via the amazing Feel It, where he recently posted some lovely joints by the almighty Delfonics...

Word From Your Moms:

"The question of love is one that cannot be evaded. Whether or not you claim to be interested in it, from the moment you are alive you are bound to be concerned with love, because love is not just something that happens to you: It is a certain special way of being alive. Love is, in fact, an intensification of life, a completeness, a fullness, a wholeness of life." - Thomas Merton

Love Lockdown: The Deliciously Swanky Edition


"She's Royal"---Tarrus Riley (LimeLinx)
"She's Royal"---Tarrus Riley (YSI)

Big choon inna da dance! Maximum reload rasta! I got back into my lovers rock/reggae zone when this sweet tune dropped back in '06. The song gives you the best of both worlds, consciousness and love. Even bad man hold him gyal and him corner when this one come on.


"Ribbon In The Sky"---Stevie Wonder (LimeLinx)
"Ribbon In The Sky"---Stevie Wonder (YSI)

This is such a beautiful love song and I listen to it as I type. Stevie is such a soulful songwriter and his lyrics are so heartfelt. I remember hearing the cover version by the group Intro and thinking "good cover but nope". Nobody does it like the man.


"Selfish"---Slum Village (LimeLinx)
"Selfish"---Slum Village (YSI)

Don't even get techinical ! This is a love song! Boy what a hookup with Kanye and John Legend. And what a killa sung hook, stayed in my head like forever. I remember calling up a lady friend to say I was running late and singing this to her as she answered. Extremely random and a dude got extremely loved up as a result. Yup even the players gets luv. Selfish.


"Feel Like Makin' Love"---Marlena Shaw (LimeLinx)
"Feel Like Makin' Love"---Marlena Shaw (YSI)

Rare groove. A subgenre of soul I call baby making muzak. Back in the day (before the kids) I used to take my wife out to the rare groove dances. We'd hold each other close all night dancing to the likes of Marlena, LTD, Aretha, whatever. You didn't reach unless you had your woman, no wall huggers allowed.

"I Need Love"---Robin Thicke (LimeLinx)
"I Need Love"---Robin Thicke (YSI)

Selected cos Rob really croons for this one. Any guy who tells a woman he can do better than make love to her ... ahh man thats heavy. Feeling it big time.

1,

Chrome from Deliciously Swanky

Word From Your Moms:

"I believe that unarmed truth and unconditional love will have the final word in reality. This is why right, temporarily defeated, is stronger than evil triumphant."---Martin Luther King, Jr.

Friday, February 06, 2009

Love Lockdown: The E-Mile Edition


"Let Love Touch Us Now"---Bunny Rugs & Lee Scratch Perry (LimeLinx)
"Let Love Touch Us Now"---Bunny Rugs & Lee Scratch Perry (savefile)

"Ain't That Lovin' You, Baby"---Jeff Monn (LimeLinx)
"Ain't That Lovin' You, Baby"---Jeff Monn (savefile)


"It Takes Two (To Make One)"---Jim Ford (LimeLinx)
"It Takes Two (To Make One)"---Jim Ford (savefile)

"I Want You"---Green Bullfrog (LimeLinx)
"I Want You"---Green Bullfrog (savefile)

"Sex Beat"---Gun Club (LimeLinx)
"Sex Beat"---Gun Club (savefile)


"Love Is The Hardest Thing To Find"---The Emotions (LimeLinx)
"Love Is The Hardest Thing To Find"---The Emotions (savefile)

Fundamental Supplementals:

E-Mile's previous Souled On post: a zillion versions of "People Make The World Go Round" (check the comments section for a whole lot more link love)

Visit my man E-Mile here

Word From Your Moms:

"Sexual intercourse is kicking death in the ass while singing."---Charles Bukowski

Thursday, February 05, 2009

Love Lockdown: The Breath Of Life Edition


So I got an email from Scholar. It read (in part): “Send me approx. five (give or take) of your favorite love joints of all time.” I read that and figured while I was at it I could probably send my annotated proposal for world peace and a brief discourse on the meaning of life too. Know what I’m saying?

I know Scholar knows what I’m saying. We’re music junkies. We love good songs like we love – oh I don’t know – good women, good food, good cities or anything else it’s possible to have love for. The thing is, I do mix tapes for friends all the time and, the way I see it, every song on there should be one of my “favorite love joints of all time.” So how am I supposed to narrow it down to five?

At first, I was gonna go through my whole iTunes to come up with five winners, but then, when I’d already come up with seven stone cold locks and I was still not even through the B’s, I realized going through the whole thing would take way too long and besides, what would be the point really? So I said, “Fuck it. B’s it is.”

With no further stalling from me, here’s my list of five favorite love joints by artists whose name starts with ‘B’ and whose music happens to already be in my iTunes account (as opposed to on CD or vinyl somewhere at my apartment here in San Diego or back home in New Orleans).


Barry White“Your Love – So Good I Can Taste It” (LimeLinx)
Barry White“Your Love – So Good I Can Taste It” (savefile)

– From Is This Whatcha Wont? (20th Century, 1976)

I’ve been a Barry White fan for a while but I’d never heard this epic number until I came across it at a music blog named Floodwatch Music. I’d try to describe what makes this record so damn good, but the dude at Floodwatch has already done that, so allow me to quote him:

If there’s one thing that White didn’t lack, it was patience – the track has the feeling that the music could continue on forever, a concept that formed the backbone of his whole “we’ve got all night, baby” steez. The actual song itself enters around the halfway mark after a slow buildup, at which point White begins pushing the limits of taste with another one of his signature love raps: “You know, ever since I was a young boy, I used to get in devilment and I used to do all kind of things with little girls, but when I become a man I put away childish things.” … It’s corny and crass, overblown and overlong, and that’s what makes it so marvelously effective.

So true. One of the things that makes love love is its capability to render the most ridiculous of things sublime. On HBO’s The Wire, a big, tough policeman named Colvin allows a street kid to spend a night in his home as a favor to one of his former employees. At home, the cop, the kid and the cop’s wife are sitting at the dinner table when the wife refers to the cop as ‘Bunny.’ There’s a long pause. The wife leaves the table to get dessert. The kid looks over at the cop and says, “Bunny?”

In a similar vein, I’m man enough to admit that my wife calls me “Pookie.” Yeah, I know. It is what it is. But for the same reasons women find it appropriate and even necessary to call their big, tough grown-ass men stuff like ‘Bunny’ and ‘Pookie,’ Barry White finds it appropriate to write string-laden, syrupy-sounding records that take damn-near five minutes to even start getting to the point; and even then, every word is pure, unadulterated cliché. But Barry’s different from the rest of the pretenders out there in that he positively revels in the cliché. He luxuriates in saying the same shit every man has been saying to every woman since romance itself was born. He intones lyrics as crass and commonplace as, “Oh, baby, your love is so damn good,” as if he’s just stumbled upon, and is now reciting back for the good of all mankind, nothing less than the secret to salvation itself.

You ever hear a three-hundred-pound black man with sweat dripping out of his process get so overcome by the goodness of his woman’s “love” that he stops forming actual syllables and instead just goes to rolling his tongue around and making ‘brrrrrr’ sounds like a baby? Welcome to Barryland.


Björk“Cocoon” (LimeLinx)
Björk“Cocoon” (savefile)

– From Vespertine (Elektra, 2001)

I recently read someone describe a piece of music as “cool and detached in such a peculiar way that it actually suggests warmth.” Or something like that – I’m paraphrasing. Whoever it was, I think they were talking about a Portishead record, or maybe Mazzy Star or somebody like that, but when I think of said description, I think of something like Björk’s “Cocoon.”

Our narrator here (and I say ‘narrator’ because unlike the aforementioned Barry White, I’m not sure that Bjork-the-actual-person and Bjork-the-person-on-Bjork’s-records is intended to be one and the same) seems to be meditating on a theme, that theme being her shock and delight at the glory of physical intimacy. I think it’s fair to say that “Cocoon” is about sex, but it’s about the best kind of sex – the kind that feels just as good at 8 AM as it did at midnight the night before. It’s also (and here’s where the title comes in) about the power love has to break people out of their self-imposed shells, to give them the strength and desire to open themselves up to whatever’s out there waiting for them.

“Who would have known?” Björk whispers in that fragile close-miked manner of hers. You can hear the wonder and amazement she must be feeling as she repeats it over and over: “Who would have known?!”


Bob Marley & The Wailers“Stir It Up” (LimeLinx)
Bob Marley & The Wailers“Stir It Up” (savefile)

– From Catch A Fire (Island, 1973)

Bob’s the shit, everybody knows that. If you don’t already own the album this song comes from you don’t need to be reading this or any other blog right now. What you need to be doing is dialing up Amazon or iTunes or heading over to Borders or your local record store or where ever it is you cop your tunes in order to pick up a copy of Catch A Fire.

The only other thing I’ll say here is that Bob is (rightly) lionized for all of his socio-political material, but he’s one hell of a love song singer too.


Bugge Wesseltoft feat. Sidsel Endresen“You Might Say” (LimeLinx)
Bugge Wesseltoft feat. Sidsel Endresen“You Might Say” (savefile)

– From Sharing (Jazzland, 1998)

This record is reminiscent of Bjork’s – it’s ethereal and evocative in a similar way – but where Bjork’s “Cocoon” is about discovering new love, Bugge and Sidsel’s “You Might Say” is about the opposite side of things. Sidsel’s man is giving her a list of reasons why their thing is over and done (“The well has run dry”; “We’re living a lie”; “I don’t want to try”; etc.). Sidsel’s only response is a pleading and entirely unsarcastic, “Please.” As in, “Please don’t go. Please stay. Please.” Damn.


Yusa“Breathe” (LimeLinx)
Yusa“Breathe” (savefile)

– From Breathe (Tumi, 2005)

I know I said I was only going to pick from the B-section of my iTunes, but rules are made to be broken and I’m going to do just that in order to include my favorite love song of the last five years or so – “Breathe,” by a young Cuban singer-songwriter named Yusa. Gentle and warm like summer breeze, this tune is a love-lullaby for adults.

Breathe / Smile / Close your eyes
Easy, easy / Don’t cry
Everything is nothing but a dream….

That’s five. I’m out.

- Mtume ya Salaam from Breath of Life

Word From Your Moms:

"[P]lease remember this: excessive pride is a familiar sin, but a man may just as easily frustrate the will of God through excessive humility." -Ken Follett from The Pillars Of The Earth

"No matter how comfortable the cocoon, breaking out is better because ultimately comfort is a coffin unless we crack it open and fly." -Kalamu ya Salaam, from the Breath of Life musicblog

Love Lockdown: The First Encounter

As promised, today is the beginning of an extended Valentine's Day celebration here at Souled On Music.

In honor of soul music's favorite holiday, I decided to invite some of my favorite writers and artists to assist me in identifying some of the greatest love joints of all time. I asked them to send along a few of their personal favorites, but I intentionally put no restrictions on genre or interpretation of the task (love, after all, manifests itself in a variety of different forms). I relied on the fact that my talented friends would bring their diverse tastes and unique perspectives to the challenge, and I am beyond confident that you'll be pleased with the entertaining and intriguing results.

Up to and including Valentine's Day, there will be one or more daily posts featuring the astounding array of submissions I received.

Gratitude to all of the phenomenal people who helped me realize this idea.

Those of you in the audience can help out as well:

*Use the comment boxes to thank these fine men and women for their time and let them know what you think of their selections.

*Visit the contributors' sites, blogs, MySpace pages, etc. to support their hustle, whatever it may be. There will be links at the end of every post for you to click to show your support.

*Let us know what some of your favorite love joints are. Remind us of great songs that we may have unintentionally overlooked. The more interaction from the audience, the more enjoyable the entire experience will be.

*Stop by daily to get down with us. This is definitely the place to be at the moment, children. In light of the quality of the upcoming posts, I'm confident that we have the goods to keep your love locked down for the duration of the series.

Hope you enjoy this little exercise half as much as we did.

First up is Mtume from Breath Of Life. Check for his selections and insightful commentary in just a few moments.

Be easy, kids...

It's all love,
Scholar

Word From Your Moms:

"The workings of the human heart are the profoundest mystery of the universe. One moment they make us despair of our kind, and the next we see in them the reflection of the divine image."---Charles W. Chesnutt

Tuesday, February 03, 2009

We Are Spiritual Beings Having A Human Experience...

'Sup, soul kids?

I know it must appear as though my ass is being typically slothful, but I've actually been working on an extra-large project for Valentine's Day with more than a little help from my super funky and ultra-talented friends. Starting this Thursday, there will be one or two features from myself and/or my affiliates every single day until February 14th. I'm going to hold the exact details in reserve for a couple more days, but I hope you'll stop by to throw down and get your celebration on with us.

Meanwhile, a few necessities from the crates...



"Blues, Pt. 2"---Gloria Edwards (LimeLinx)
"Blues, Pt. 2"---Gloria Edwards (savefile)

Gloria Edwards is often affectionately referred to as the soul queen of Texas, a title she secured on the strength of her powerful pipes and iconic presence on Houston's live music scene. Her impeccable solo and collaborative efforts have also become a cornerstone of her legacy, including her celebrated tribute to the late Dinah Washington.

Considering the fact that Edwards has devoted 40+ years of her life to building a venerable career in music, it's straight up scandalous that her name carries so little weight beyond the borders of the Lone Star State. After one of my readers suggested that I feature her material, I decided to blow the dust off of "Blues, Pt. 2", hoping that fellow crate diggers worldwide would be willing to give her records a look.

The track is one of my personal favorites from her canon of works; not only does Edwards serve up a stunning vocal performance, but the song's lyrics will likely resonate with anyone who's experienced the bittersweet paradoxes of love and relationships. Hell...even if you have a pointy head and tiny little virgin ears, this joint should still go down nice and smooth.

If you're interested in checking for more of Gloria's material, I'd suggest starting out with The Soul Queen of Texas: The Crazy Cajun Recordings. Do it your way, children...just familiarize thyselves.

Dig deeper...


"The Big Band Theory"---Homeboy Sandman (LimeLinx)
"The Big Band Theory"---Homeboy Sandman (savefile)

Despite the fact that I try to maintain an optimistic outlook about the oft-confounding evolution of hip hop, I can't deny that my personal list of truly respectable MCs has been on a downward spiral since like...1993. It's more treacherous than ever to wade through the sea of increasingly faceless rappers in search of one proper MC (if you still love hip hop, I trust you're nodding your head in agreement). In such an unforgiving climate, the likelihood that Homeboy Sandman would have the lyrical dexterity to survive the perils of being on an endangered species list is clearly slim to none. Yet in a striking defiance of the odds, Homeboy comes with more than enough originality, finesse, and creativity to flip the current standard of uninspired complacency inside out and upside down.

Sandman certainly isn't the first MC to have enough reverence for hip hop to declare it as his religion, but he is one of the sacred few who's working diligently to preserve the lost art of microphone mastery. As the Queens-based wordsmith has described it, "conscious, intelligent thought is purposefully censored in black music as a means to create that illusion that it is uncool. Common had the number one album -- not hip-hop album, but album -- in America and you didn't hear him get one spin on Hot 97 or Power 105," he says. "It would give them the awareness that the shit that's being forced down their throat is garbage designed specifically to make them despicable, weak people who will be easily manipulated, and who will pump out as much money as possible before they wind up in jail where they can be legally enslaved. It's right there in the constitution." Word.

His latest pledge to the genre's honor and authenticity comes in the form of his Actual Factual Pteradactyl LP, one of the better (and most slept on) albums to drop in the second half of '08. It's impossible to pigeonhole Sandman's style, as his artistic portfolio is enhanced by a boundless spirit of eclecticism and diversity. This results in a thoroughly enjoyable front-to-back listen for many, and most will find at least one or two tracks they can appreciate. "The Big Band Theory" isn't necessarily the hottest joint on AFP, but it gets mad props from me for being the one where he says "Fuck milk...got rhythm", a sentiment/credo for living that I walk like I talk.

I know the economy is shit, children, but there's a parallel downturn taking place in the world of hip hop. Since so much of it inexplicably sucks ass, I feel it's my civic responsibilty to support quality artists and their material. I know it's some mad crazy shit to say, but you might wanna consider actually paying for this CD. It's worth your hard-earned pennies, and no harm done if you hold off on copping that REO Speedwagon retrospective for a minute...right?

Anyway, my man Donny Goines sent this clip out several months ago, but I still have to pick my jaw up off the floor every time Sandman finishes spittin'. All three of these guys have mad skills~ check it:



Dig deeper...


"Ain't Nobody's Business"---B.B. King (LimeLinx)
"Ain't Nobody's Business"---B.B. King(savefile)

When Styler selected a B.B. King track for his most recent post, I was inspired to rummage through my records and CDs to pull out some gems from the blues god's voluminous repertoire. My favorite songs tend to fluctuate in synch with my mood, but I can almost always get down with hearing the King wail his heart out on "Ain't Nobody's Business".

The song (originally known as "'T Ain't Nobody's Bus'ness If I Do") is credited to Porter Grainger and Everett Robbins, although history suggests that their arrangement was drawn from a tune that had been circulating via folk tradition since the early years of the 20th century. There is some disagreement as to which artist was the first to commit the song to wax, but most sources agree that Sara Martin (aka the Famous Moanin' Mama) and Anna Meyers were practically tied for first, both vocalists having cut their renditions in 1922. In 1923, the blues standard was covered by Bessie Smith, Lena Wilson, and Alberta Hunter, paving the way for later versions by artists such as Dinah Washington, Sam Cooke, Freddie King, Jimmy Witherspoon, Billie Holiday, Bobby Bland, Willie Nelson, and Otis Spann. As for King, he didn't record his take until December 28, 1965, first releasing the track as a single the following year.

There doesn't seem to be a whole lot of sense in drawing comparisons or asserting the superiority of any one version of the song over another. Considering that the tune has been such a popular cover amongst musical icons, most of the renditions I've heard are pretty damn amazing in their own right. Also, the lyrics and title were frequently altered from one version to the next, affording each rendition an opportunity to kinda maintain its own personality.

That being said, I didn't really fall in love with this song until I saw a clip of B.B., Gladys, Chaka, and Etta performing it together at the Night of Blistering Blues in 1987 (Chaka, clearly high as hell, still sang her face off). B.B. stuck to playing his guitar that night, but I was so transfixed by the performance that I was immediately interested in digging for his striking solo rendition.

"Ain't Nobody's Business" appeared on an LP called The Jungle (Kent, 1967), a collection of the blues monarch's singles from 1962 through 1967. Not only does this album represent a landmark period in the bluesman's stylistic evolution, but vocally, the recordings represent some of the King's most unbelievably triumphant moments. His delivery is so mighty and unrestrained on some of these tracks that his robust bellowing will most assuredly blow your wig back, son.

The album was reissued last year as The Jungle~Remastered, so even the least industrious crate diggers have no excuse for sleepin' this time. The CD and DVD for the Night of Blistering Blues are also readily accessible, so you might as well start emptying your pockets or warming up your Visa. Holy burning plastic, Batman...

BB and the Holy Trinity of R&B:



Dig deeper...


"Ease It To Me"---Shirlean Williams & The Tempo's Band (LimeLinx)
"Ease It To Me"---Shirlean Williams & The Tempo's Band (savefile)

If you've been looking past the series of regional funk compilations that Jazzman Records has been releasing, let this be the stop where you finally jump on the bus, children. These stellar compilations (distributed in North America by Now Again Records) shine a spotlight on obscure and unreleased '60s and early '70s funk material that's been mined from various regions of the United States.

The music on Carolina Funk was unearthed and assembled thanks to Jason Perlmutter, a DJ/collector/archivist/historian who hails from Chapel Hill, North Carolina. Perlmutter did extensive research for the project, seeking out now-elderly musicians and producers to uncover the details and stories behind these priceless recordings. As a result, his thoroughly meticulous liner notes are an informative and somewhat fascinating read...particularly if you happen to be a freak like me.

From where I'm sitting, there isn't much in the way of filler or excess on the album, so I struggled with selecting a single track amongst all the viable possibilities. In the end, it came down to the fact that "Ease It To Me" (Elvitrue 673, b/w "This Is A Song") has this crazy way of making me feel super glad to be superbad. It also feels super ridiculous to even type that shit, but that's what's really up, children...

Enjoy.

Dig deeper...


"It's Coming Down"---Exile (LimeLinx)
"It's Coming Down"---Exile (savefile)

Conceptual instrumental albums are usually a tough sell under the best of economic circumstances, so the outlook for Exile's Radio LP is unbearably grim considering that the value of the dollar is rapidly approaching the approximate worth of Monopoly money. To add insult to injury, most of the reviews I've read express the same basic criticism, with only a slight twist in phraseology: A+ for technique; C- for listenability.

If you enter into the Radio experience expecting it to sound like Emanon or Ex's projects with Blu, I can't lie...you might get your feelings hurt. However, we're all grown folks here (I guess), and we can accept that artists sometimes have to fulfill their creative potential by serving up some shit their fans don't really understand...right? The situation at hand is nothing like the travesty of DJ Shadow getting crunk or Common sporting crocheted pants, though...so let's not get it twisted. Radio is just choppier, moodier, and potentially less accessible than what you've previously heard from the LA-based production wizard.

I haven't lived with Radio long enough to profess any profound truths in terms of its replay value, but I will say that so far, I find the album to be a thoroughly engaging work of art. Being a music geek and a voluntary misfit, I'm completely enthralled with the auditory barrage of samples and sounds on the LP...I mean, Exile is the man...but if I was in it strictly for the head-nod factor, I'd probably be forced to look elsewhere for aural gratification.

You won't be surprised that I selected one of Radio's most soulful sounds to drop for your collective listening pleasure. "It's Coming Down" is a smoother ride than most of the other tracks on the album; it unfolds with a fluid consistency that largely bypasses the jerky and sometimes abrupt transitions you'll hear on the rest of the LP. The most dramatic shift occurs 2 minutes and 16 seconds into the track, when Exile switches things up by unleashing one of the loveliest beats he's ever created. If you don't love this, I don't know what to do with you...

If you dig Ex's steez as much as I do, dig deeper and cough up some change to show your support...


"Do It ('Til You're Satisfied)"---BT Express (LimeLinx)
"Do It ('Til You're Satisfied)"---BT Express (savefile)

In closing, this joint by Brooklyn Trucking Express is hardly a rarity, but I was inspired to post it in remembrance of my superstar, Kimberley Sullivan, a close friend who passed away unexpectedly a couple of weeks ago.

Not only did Kim love to party, she was the party. My girl was a huge fan of funk and disco music, and if you put on a record she was feelin', she could deliver the spontaneous amateur performance of a lifetime. Things just aren't the same without her crazy ass.

There's much more that I could say about why I love Kim so much, but I'd rather just leave it at the most important thing she taught me...live for the moment. She knew how to enjoy life to the absolute fullest, as if tomorrow might not come...and sadly, one day it didn't.

In honor of Kim's memory, I'm doing all I can to ground myself and embrace the present. As Siddharta Gautama (aka Buddha) is quoted as saying, “The secret of health for both the mind and body is not to mourn for the past, not to worry about the future, not to anticipate troubles, but to live the present moment wisely and earnestly.”


Live simply and well, children...and always be sure to get your satisfaction.

Peace.

Word From Your Moms:

"Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death."---Anais Nin

"One day your life will flash before your eyes. Make sure its worth watching."---Anonymous

"The world is now too dangerous for anything but the truth, too small for anything but brotherhood"---A. Powell Davies

Sunday, January 18, 2009

Small Metal Objects: Has-Lo's Critical Breakdown Part II

True to his word, Has-Lo has made good on his promise to bring the sequel to a piece he wrote for us a couple of months ago. As in the previously posted confession session, Lo sheds light on the thought processes, techniques, and original songs he flipped on his ingenious Small Metal Objects EP. Hopefully you caught the first episode, but if not, you should most definitely get busy on your homework, kid.

This time around, he schools us on the science behind my favorite track on SMO, "The Quiet Things" (a song that climbed to an impressive #4 on
WYDU's Top Tracks Of 2008). Although I've kept that joint on heavy rotation since the first time I heard it, I couldn't seem to crack the sample (surely you can infer how that frustrated the freakin' hell out of me). I dig more indie-pop records than you'd imagine in your wildest dreams, but for whatever reason, I don't really know shit about Death Cab For Cutie.

Furthermore, I'm not certain I would have foreseen the underlying heat potential in records by a ukulele virtuoso and/or The Carpenters. However, therein lies the very thing that's straight bananas about Lo's artistic vision and production style...dude can make ridiculously dope joints out of source material that most heads wouldn't even consider giving a spin. If that's not the mark of a prodigious beatsmith, I don't know what is.

Anyway, I guess I've already preached to you plenty about the man's impeccable skill set. The rest is on you, children...get Lo.

Keep ya heads up...Scholar


As promised...

I'm back with part 2 of my critical breakdown of Small Metal Objects. You guys seemed to really dig the first one~I apologize for taking so long with the follow up. I appreciate all the comments and love for me and the EP. Thanks again to Scholar...let's get into some more good music!

It only makes sense that I begin this breakdown with the aptly titled "Small Metal Intro". I think this is such a slick opener. It was actually the last track we laid down. Might have been next to last, I'm not sure. Anyway, I came across an mp3 of this song although I've never found a copy of this album. It's rare baby! Back in the day I knew a cat that had it. Sampled a track from that LP for another beat once...super O-fficial, ya'll. Seriously.

So hint hint...if u have the album, let your friend Hassy-Lo get a copy. You ain't usin' it lol. Without further ado, Ohta-san:

"Keeping You Company"---Herb Ohta (LimeLinx)
"Keeping You Company"---Herb Ohta (savefile)

"Small Metal Intro"---Has-Lo (LimeLinx)
"Small Metal Intro"---Has-Lo (savefile)

Next up is "The Quiet Things". A song I think a lot of you can relate to. The story of a failed relationship. It's become a favorite from the EP. I named it that because I felt like the things I was saying were the ugly/beautiful things that you silently suffer with when you're trying to get over someone. The lyrics are (somewhat) oppositional. For every good memory, there is a bad one. Normally I wouldn't sample something so recent. It feels a bit cheesy...but I enjoy this band's music. The loop was so pretty that I had to do it. Also, the point of the EP was to do it without overthinking it, so I just went with it. Turned out that tossing my reservations made for a powerful song. I think this was the first song I wrote for the EP. I didn't really want to have a hook, so I threw the choppy breakdowns in there to add a twist to it. I had jotted down some random thoughts about her and my surroundings. I recorded them and we pushed them into the background and panned them around. Its subtle but it adds some texture.


"Passenger Seat"---Death Cab For Cutie (LimeLinx)
"Passenger Seat"---Death Cab For Cutie (savefile)

"The Quiet Things"---Has-Lo (LimeLinx)
"The Quiet Things"---Has-Lo (savefile)

Can't forget "The Commentary". This one came about as one of those genius afterthought/meant to be moments. It kind of just happened, really. I was looking for rhymes to go over the "Inhuman Interlude" beat. My friend/producer, DeeJay Tone was looking thru some old pro tools sessions. Some were beats, some were just samples. One of those sessions was a sickly soulful guitar affair. I started spitting this rhyme on a whim, just to see how it would sound. After a few bars, Tone just stopped me in my tracks. We both knew. We closed the door and began reworking the track. A short time later I got in the booth and added the last element: The emcee.

"Twilight Zone"---Average White Band (LimeLinx)
"Twilight Zone"---Average White Band (savefile)

"The Commentary Pt. 1"---Has-Lo (LimeLinx)
"The Commentary Pt. 1"---Has-Lo (savefile)

Lastly, the "Small Metal Outro". One thing that I don't feel like I often do is slick intros/outros. I like the idea, but I haven't really had a project that felt like it needed or should have them. This one...well, you know. Me and DeeJay Tone had been diggin' in the crates at some local record shop earlier that day. That was where I came across Close To You by the Carpenters. It's all about dollar bin records, baby. If you like the music, the savings go STRAIGHT to your pockets. The measure of a good record is never in how much it costs. The best and most obscure records are sometimes the cheapest and least cared about. Not that this is obscure, just saying...

So we went back to the crib. I went in the studio, started checking out the records I copped. I caught this little part on my run-thru. I chopped it up a little. Some nice dusty hi-hats, dirty kick and snare combo. A little vocal sample from "Baby It's You" (I was messing with before "Mr. Guder"). A thick bassline finishes this one out. I didn't think about what I would say, I just hopped in the booth and gave some shouts. We played around a bit with the panning. We watched the Eli Porter video countless times. You hear elements of that pop up here as well as other places in the EP, lol. It just goes back to having fun. Music is like sex. Sometimes it's way serious, you're making love. Sometimes you're laughing and it's silly. At times intimate...so deep in your emotions that afterwards, thoughts of it become painful. All of those things are mixed up in this EP and I hope you have (or will) enjoy it.

Thanks for hanging in there with me. Enjoy these last two joints, then pass the word and keep the music alive...

PEACE!

"Mr Guder"---The Carpenters (Limelinx)
"Mr Guder"---The Carpenters (savefile)

"Baby It's You"---The Carpenters (LimeLinx)
"Baby It's You"---The Carpenters (savefile)

"Small Metal Outro"---Has-Lo (LimeLinx)
"Small Metal Outro"---Has-Lo (savefile)


Has-Lo on MySpace

Download the entire Small Metal Objects EP via rapidshare

Word From Your Moms:

The ink soaks way deep in the page
gatherin' the army
I enlist anybody
Who my words can persuade


~Has-Lo from "The Commentary Pt. 1"

Friday, January 09, 2009

Souled On Samples: You Won't Need No Parachute Cuz I'm Gon' Keep You Fly

Happy belated New Year, soul bambinos...

Kicking things off with a massive Souled On Samples post seemed like the only righteous way to get things crackin' for my peoples in '09. This time around, I mainly featured original songs that were sampled in joints from the past year, but I threw in a little variety for anyone who thinks hip hop overwhelmingly sucked ass in '08 (I'm pretty certain you're out there). I guess you really can't get mad at folks for turnin' a deaf ear on Weezy, Jeezy, Skeezy, Cheezy, et al. Different strokes to rule the world and all that happy shit...and word to the homie Gary Coleman for this insightful bit of wisdom.


Meanwhile, children---you know what it is...

Stay lifted...Scholar



"I Just Want To Make Love To You"---Cold Blood (LimeLinx)
"I Just Want To Make Love To You"---Cold Blood (savefile)

Dig deeper...

Sampled On:

"Be No Slave"---J-Live (LimeLinx)
"Be No Slave"---J-Live (savefile)

*Produced by DJ Evil Dee

*Also sampled on "Meanwhile" by Foreign Legion; "Lausd" by Jurassic 5, "3.2 Red Dog" by Slug; "?" by Godfather Don


"You Made A Believer (Out Of Me)"---Ruby Andrews (LimeLinx)
"You Made A Believer (Out Of Me)"---Ruby Andrews (savefile)

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Sampled On:

"Won't Trade"---Q-Tip (LimeLinx)
"Won't Trade"---Q-Tip (savefile)

*Produced by Q-Tip

*Also sampled on "Brainwashed Follower" by De La Soul

"Blind Man"---The New Birth (LimeLinx)
"Blind Man"---The New Birth (savefile)

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Sampled On:

"Slang Blade"---Binary Star (LimeLinx)
"Slang Blade"---Binary Star (savefile)

*Produced by Trackerzoids

*Also sampled on "The Grandest Of Them All" by Grandmaster Caz and "It's LL and Santana" by LL Cool J and Juelz Santana


"I'm Just A Prisoner"---Billy Paul (LimeLinx)
"I'm Just A Prisoner"---Billy Paul (savefile)

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Sampled On:

"Forgot About Me"---Scarface/Bun B/Lil Wayne (LimeLinx)
"Forgot About Me"---Scarface/Bun B/Lil Wayne (savefile)

*Produced by Cool & Dre


"The Funeral"---Band Of Horses (LimeLinx)
"The Funeral"---Band Of Horses (savefile)

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Sampled On:

"The Prayer"---KiD CuDi (LimeLinx)
"The Prayer"---KiD CuDi (savefile)

*Produced by Plain Pat


"Don't Let My Teardrops Bother You"---Dionne Warwick (LimeLinx)
"Don't Let My Teardrops Bother You"---Dionne Warwick (savefile)

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Sampled On:

"Transitional Joint"---Elzhi (LimeLinx)
"Transitional Joint"---Elzhi (savefile)

*Produced by Black Milk


"It's A Miracle"---Willie Hightower (LimeLinx)
"It's A Miracle"---Willie Hightower (savefile)

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Sampled On:

"Gone Head"---Asamov (LimeLinx)
"Gone Head"---Asamov (savefile)

(I posted this joint once before sans the original, but some of you suckas had to be sleepin')

*Produced by Willie Evans Jr


"We're Just Trying To Make It"---The Persuaders (LimeLinx)
"We're Just Trying To Make It"---The Persuaders (savefile)

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Sampled On:

"N.I.G.G.E.R. (The Slave And The Master)"---Nas (LimeLinx)
"N.I.G.G.E.R. (The Slave And The Master)"---Nas (savefile)

*Produced by DJ Toomp

*Also sampled on "Come Get Me" by Nas (DJ Premier laced it the first time)


"Love Finds Its Own Way"---Gladys Knight & The Pips (LimeLinx)
"Love Finds Its Own Way"---Gladys Knight & The Pips (savefile)

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Sampled On:

"Yesterday"---Atmosphere (LimeLinx)
"Yesterday"---Atmosphere (savefile)

*Produced by Ant


"Prelude/Rose"---Lamont Dozier (LimeLinx)
"Prelude/Rose"---Lamont Dozier (savefile)

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Sampled On:

"God Like"---Jake One ft D. Black (LimeLinx)
"God Like"---Jake One ft D. Black (savefile)

*Produced by Jake One

*Also sampled on "More Or Less" by Shyne and "Jazzy Belle" by Outkast


"Let's Prove Them Wrong"---Debbie Taylor (LimeLinx)
"Let's Prove Them Wrong"---Debbie Taylor (savefile)

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Sampled On:

"Firehouse"---GZA/Ka (LimeLinx)
"Firehouse"---GZA/Ka (savefile)

*Produced by Roc Marciano

"I Can't Please You"---Loading Zone (LimeLinx)
"I Can't Please You"---Loading Zone (savefile)

Dig deeper...

Sampled On:

"Guaranteed (Instrumental)"---Dilated Peoples (LimeLinx)
"Guaranteed (Instrumental)"---Dilated Peoples (savefile)

*Produced by Alchemist

Word From Your Moms:

"The saddest aspect of life right now is that science gathers knowledge faster than society gathers wisdom."

"Never let your sense of morals get in the way of doing what's right."

"To surrender to ignorance and call it God has always been premature, and it remains premature today."

"Violence is the last refuge of the incompetent."

"Writing, to me, is simply thinking through my fingers."

~All quotes by Isaac Asimov